![]() ![]() The inverse is equally so: no matter how pure or essentialist one’s desire for ‘sound alone,’ the colour of your shirt will always betray an ulterior motive to your sound-making. ![]() No sight exists without physical, psychoacoustic, imaginary or cultural simultaneity in sound. If there is a determining principle that guides my angle on aural perception, my choice in media subjects, my thrust in critical discourse, it would be that audiovisuality is a given state. ![]() I’ve written quite a bit on audiovision over the years. Eugene Ughetti, Matthias Shack-Arnott, Speak Percussion, Singapore 2015 First principles ![]()
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